5 Thoughts on Conditioning for Dancers

Aerobic conditioning often brings about a knee-jerk reaction to thought processes of running long slow distances.

The fitness industry has gone back, forth, and back again as to why “long slow distance (LSD) running” is bad for you.

I’ve even written an article as to why running is “bad” for bboys. Looking at only mechanics of running versus three dimensional movement is a bit short-sighted of me, and I apologize for the lack of applied information.

However, aerobic fitness as a concept is important.

  • As a concept, aerobic fitness will help to improve nervous system functioning.
  • It will also help to improve cardiac functioning (improvements and increases in aerobic enzymes and left ventricle of the heart).
  • Lactate threshold levels are realized sooner if the body’s metabolism is not functioning from an aerobically optimized system.

When learning and adapting newer information, I have one main thought in my head:

Will this benefit dancers?

And the answer to this question of whether or not aerobic fitness will help is yes – aerobic fitness is extremely important for dancers.

By improving your aerobic conditioning, and improving on the body’s exchange of oxygen, you can exhibit less fatigue, last longer throughout battles, and even more extrapolated, you can improve your ability to learn new combinations and movements by the simple notion that if you are fatigued, you won’t be able to practice as intensely or for as long.

CompetingDemands

Photo Credit: RobertsonTrainingSystems.com

To take a step outside of the context of strictly just breakdancing, aerobic fitness is important for dancers of all types as well.

How? I’m so glad you asked.

Improving aerobic fitness can improve recovery.

Allow me to put this in a more realistic context. Imagine you are traveling from city to city, or you are performing night after night with no days off between rehearsals and performances.

Stimulating the parasympathetic nervous system is helpful for rest and digest mechanisms.

Increasing and improving cardiac parameters related to a more optimized aerobic system will allow more blood to flow with less cost to the system as a whole – more transactions with less cost.

This is opposed to enhancing your anaerobic, or more specifically the alactic/lactic energy systems, where there is only a finite amount of energy stores that will cost a lot more in terms of energy for the body to utilize.

How can I improve my aerobic fitness?

Money question there, young buck.

However, this is both a little more complicated than just running for hours every day. Sometimes it is as simple as reducing the amount of conditioning you are currently doing. The name of the game when it comes to dishing out advice online is that it depends, because everyone is different and will respond differently to exercise prescriptions.

Observations with Respect to Aerobic Fitness and Movement

My aerobic conditioning is lacking. For the past 3-4 months I’ve been tracking my heart rate whenever I session with people or whenever I’ve been on my own.

  • Power moves bring me up to an exceptionally high heart rate very quickly.
  • Even more obvious – footwork, toprocks, transitions, and combination movements result in lower heart rate numbers due to less demanding tasks (when compared to powermoves often seen in bboying).

So with this, I have a few suggestions for other dancers to try.

1. Buy a heart rate monitor and start seeing when you go over a certain threshold.

There are many ways to standardize your heart rate numbers, and “see” where you are in comparison, but if you go running, and utilize the running data as a means to set a standard for where your bboying conditioning should be, then we are already setting you up at a lower standard.

One quick way to do this is to perform your most intensive set, or footwork, or go all out with whatever move set you choose while wearing and tracking your heart rate.

  • Afterwards, see how long it takes for you to return to a heart rate of 130 bpm.
  • Record this time, and remember your move set.

2. Front load power moves in the beginning of the session.

There is a finite window of opportunity with which to practice, due to physiological demands from ATP and PCr energy stores being the drivers in these large movement patterns.

Energy Systems

Photo Credit: 8 Weeks Out

Also, the body’s nervous system has only so much in the “tank” before it gives – so by front loading your choice of movements to work on in the beginning, you are more likely to perform these movements  cleanly, while simultaneously improving your capacity to learn and string movements cleanly together.

Basically, by being less fatigued you are more likely to improve your capacity to move more and move better.

Performing movements under high levels of fatigue may pre-dispose you to a host of systemic issues, namely utilizing synergistic muscle groups as prime movers, when they should be stabilizers, otherwise known as synergistic dominance.

This leads to my next point.

3. Perform movements cleanly, and once you get sloppy, stop.

If you begin to drop in intensity, or it takes longer than a set number of seconds/minute(s) to recover your heart rate, then you should move on to the next task.

I have the ability to discuss heart rates during power moves because I literally had a heart rate monitor on when practicing power moves. Sometimes it took me 2 to 3 minutes to recover from a heart rate of 196 to 130 BPM. If I can make an assumption that someone will have a greater aerobic fitness level than me, then it should take that person less than 2 minutes to restore to an acceptable percentage of heart rate max.

Hopefully at this point, you understand the concept that there are wanted variables and unwanted variables when training. Reaching technical failure on a movement is a largely unwanted variable.

4. Train footwork and transitions to stay within a heart rate of 130 to 150 BPM.

Call this mental conditioning, but next time you practice footwork, give this a try on your off days. By staying within a certain pre-defined heart rate (the 130-150 BPM is an assumed target heart rate – each individual will have fluctuations above and below these levels), you are more likely to stay within a specific range of functioning.

Why?

Well, I’m always looking to see if things will transfer to the task that is necessary.

In this case, bboying is the name of the game.

So if you can perform your sets, footwork, and other dancing at a lower heart rate than previous sessions, I’d like to imagine your economy of movement is improved.

Basically you’re more efficient.

I’d say you’re relatively inefficient if your heart rate is at 190+ during footwork for 2 minutes at a time.

5. Recovery between sets is important, so be cognizant of your work:rest ratios.

If you perform back to back sets, chances are you will be at a high heart rate for a long time. Literal physiological power output will likely decrease past a certain number of seconds (8 seconds is the an important time to remember, as this is when the alactic energy system is primed for contributing.)

I’ve timed bboy sets, watched hundreds if not thousands of battles by this point, and I’ve competed as well, all to make an observation that more often than not, many higher level bboys utilize a timeline of about ~15 to 30 seconds of powermoves, footwork, and dancing to get their point across.

Any more time than that, and the message you are trying to convey may not come across as well due to fatigue.

Obviously, performances will have a different set of demands, as they often range anywhere from ~2 minutes to 60 minutes+ of high performance energy!

For those interested in more application of energy systems training to dancing, read on ahead as I’ve attached some interesting items from Mike Robertson and Joel Jamieson respectively.

Further, if you’re interested in learning how to take it to the next level of dance, please sign up for my newsletter, and/or pass or share this info along using the easily available buttons at the bottom of this post. I would appreciate it!

As always,

Keep it funky.

MAsymbollogo

Further Reading

Robertson Training Systems – 10 Nuggets, Tips, and Tricks on Energy System Training

8 Weeks Out – Research Review: Energy Systems, Interval Training, & RSA

8 Weeks Out – Truth About Energy Systems (VIDEO)

Morning Musings – Sprints, and Defining Success (9.25.14)

Within a youth athletes’ career, it is imperative to keep in mind that between the ages of 12 years old to roughly 16 or 17 years old is considered developmental. I use the word developmental to describe the large discrepancies in variance from athlete to athlete. Developmental also because the athlete has a plasticity for learning and building a movement (and psychological) foundation for success.

These developmental changes are found by observing fluctuations from 1. a hormonal perspective, which is reflected by changes mostly associated with puberty, 2. neural motor control, which can be reflective of different movement patterns more or less easily performed by the growing athlete, along with the most obvious physical changes found in any given athlete if tracked for a long enough time.

LTAD

With that said, one perspective that an outsider looking in to our industry (strength and conditioning) may immediately have a knee-jerk reaction of what is most appropriate and what is not. Often, the first thought may be conditioning, running, or some type of fatiguing activity that at face value looks a lot like hard work.

A step further into this perspective can build on the concept that there is something a little bit deeper going on besides running poles or taking (multiple) laps.

With that foundation and perspective laid out, I’ve had the fortune by occupation of learning some details involved with sprint mechanics and other movement protocols.

Sprints and change of direction drills may be the default idea that many “strength coaches” and “I work with that trainer guy who lives 20 minutes away from me” think of when describing a typical training session for a given set of athletes. I assure you this is not the case when determining how to improve the movement quality of many of the training sessions that I supervise, and from a logistical point of view, I am of the belief that by incorporating sprint oriented drills prior to a traditional strength training session, we can arrive at these benefits:

  1. Improved rate coding of a motor unit.
  2. Faster transfer of synaptic change from motor unit to muscle fibers results in higher force production.
  3. Based on the movement pattern, an increase in motor unit firing will elicit a positive result towards more force in a given movement pattern.
  4. In the case of sprinting, a unilateral and posterior chain movement pattern are reinforced and enhanced upon.
  5. In the case of youth athletes that have not been introduced to sprinting or change of direction (CoD) drills, a new stimulus for movement and coaching is introduced, which will (hopefully) be improved upon as the athlete ages.

However, one of the bigger ideas that need to be addressed, besides the given strength training aspect, is developing a greater vocabulary of movement patterns that can be fine tuned as the athlete goes through various “schools” of learning.

It is my opinion that these movements should be universal to a large variety of athletes early on in the athletes training career if it is possible. Depending on the athlete’s chosen sport, choosing to practice technique for sprints and change of direction (CoD) drills will help the athlete accumulate a greater vocabulary of these given movement patterns – that will hopefully translate to a greater success later on in their athletic career (and perhaps even life if the opportunity still presents itself to live an active lifestyle outside of work!).

My argument for this opinion is this:

Sure, in order to pitch you don’t need to learn how to sprint. However, say you successfully get your opponent to a 3-2 pitch count. You throw a breaking ball, and they hit it in a way that the first baseman must move away from first base in order to make the correct play. Due to field position, you need to cover first base after the play pushes the first baseman to this precarious position, whatever it may be. 

As a pitcher, will you walk to first base to cover the out? Sprint? Jog? Pull a hamstring because you never practiced sprinting before?

Steve Nellis - CoverFirst

Photo Credit – Steven Nellis

You certainly won’t be Spiderman Lunging to first base, but you perform this movement as a general preparatory exercise.

…Yet you won’t work on and enhance your sprinting technique because …?

Practicing these generalized movements, while not your “role” within the immediate prioritization of the sport itself, will help you become a more well rounded athlete.

optimum-performance-pyramid

To present another scenario, say you really enjoy these sprinting drills as a 12 year old in a great environment of a gym. You enjoy these drills enough to continue with sprinting as a track and field athlete while you enter high school. And long before you know it, you become a possible contender in high school for a scholarship in track and field in whatever event – all stemming from working on some fun drills that involved skipping, running around, and reacting to cues from a coach who made things fun for you when you were growing up.

Visit my YouTube channel for other instructional videos.

Did you achieve success in baseball? Or did you achieve success in track and field? What about personal success? I’d say securing a scholarship is a success on any level.

Certainly these thoughts are extrapolated to the “n-th” degree. However, these scenarios are certainly possible as well. These are merely some of the thoughts that cross my mind when teaching and allowing the people I come into contact with on a daily basis at this point.

With these largely reflective and tangential thoughts out of my head, here is an article I was fortunate to have published on STACK.com recently.

–> Burn Your Competition With this Sprint Workout <–

As always,


Keep it funky.

MAsymbollogo

Updates and My Bio!

The past few weeks have been pretty crazy! And for good reason – I’ve completed my first week at Cressey Sports Performance as their newest strength coach on staff.

CSP Team

Erratic blog updates aside, it has been hectic with work-life balance being brought into question (most of the work I take upon myself, for sure).

For those that are unfamiliar with who I am, let this serve as an introduction. With that being said, here is some information that I wrote up on myself, and I figured I shall simply copy this to my “About Me” while I’m at it!

Hello there!

The idea of this blog first originated as a place to write down my experiences in the gym, and my numbers in the form of a training log, maybe in the end of 2010, early 2011. This digital space has rapidly changed from those times, along with my own experiences that I’ve had both professionally and personally.

From the time I had exemplified a clear lack of physical coordination growing up as a kid in any formal organized sports, to the present in which I am now working as a Strength Coach at Cressey Sports Performance – a lot has (obviously) happened.

Growing up, I had very little confidence. I was physically awkward – braces from the 4th to 9th grade, glasses from the 2nd grade, and the best haircut to boot.

Glasses Braces Picture

I played all the sports growing up – baseball, basketball, soccer, but I was too small to play football.

  • The last time I played baseball at any competitive level, I got hit in the mouth while fielding the ball – and I didn’t have a mouth guard in to protect me from my braces.
  • My basketball career was short-lived due to my short height – I haven’t grown in height since I was 15, and I didn’t enjoy getting stuffed by everyone who was taller than I was at the time.
  • And soccer was simply too much running for me – I didn’t feel like working that hard for a ball where I would kick it around for all of 2 seconds.

Long story short: I used to be small, uncoordinated, and relatively lazy. I didn’t feel like putting the work in. On top of this, I remember having sports coaches telling me what to do, and I wasn’t too fond of this “leadership-by-talking” instead of “leadership-by-doing” strategy.

So I did what anyone else in this situation would do – I taught myself to breakdance:

Fast forward to 2010 – I obtained a job at a medical fitness facility, but for what it is worth it was a commercial gym by and large, and I stayed here for a few years. This is where I’ve cultivated a yearning for the knowledge that served to help me later on in my current career.

Fast forward a few more years, and I can say that I’ve worked alongside several individuals throughout the years who I am happy to call as friends.

  • Brian Bott at Shore Results in Highlands, NJ
  • Kevin Neeld, Matt Siniscalchi, and Matt Sees at Endeavor Sports Performance in Pitman, NJ

Further, I’ve done a bit of writing, contributing over 30 articles on various large traffic websites such as STACK.com, BuiltLean.com, TonyGentilcore.com, along with having content featured on EricCressey.com, and Fitocracy.com to name drop a bit.

Personally, I also enjoy competing in the sport of powerlifting, with a competition best 365lb back squat, 248lb bench press, and 402.5lb deadlift for a total of 1015.5lbs in the 148lb weight class.

While at Temple University, I created an official organization for bboys and dancers to collaborate and create movement under the title “Temple Bboys”. To this day, that organization has held several events to bring awareness towards and to further unify the local Philadelphia breaking scene. I’ve been grateful enough to have presented a workshop titled “Injury Prevention Workshop for Bboys and BGirls” for the current group at Temple University, in which protocols and movement drills were presented in order to promote optimal movement patterns for further dancing.

Education, Certifications, and Other Contributions

Temple University – Bachelor’s of Science

  • Exercise and Sports Science (2010)

American College of Sports Medicine

  • Health Fitness Specialist

National Strength and Conditioning Association

  • Certified Strength and Conditioning Specialist (CSCS)

TRX Group Suspension Training Course

  • Level 1 Group Instructor

Postural Restoration Institute

  • MyoKinematic Restoration
  • Pelvic Restoration
  • Postural Restoration
  • Cervical-Cranio-Mandibular Restoration

Functional Movement Systems

  • Selective Functional Movement Assessment (October 2014)

Online Writing, Contributions, and Hosting

  • Provide content as a contributing writer for STACK.com
  • Spoke at Virtua Center for HealthFitness conference on cardiopulmonary risks and strategies to avoiding heart issues
  • Contributed bonus product “Maximal Tension for Maximal Results” in Eric Cressey’s newest book “High Performance Handbook” (October 2013)
  • Presented a Workshop on Injury Prevention for Dancers at Temple University (November 2013)
  • Sponsored a movement assessment table for Rhythm Spotlight XI, an annual dance event at Penn State University (January 2014)

To reflect further, in these past few years, I’ve seen professional success at several levels and within different aspects of the fitness and private strength and conditioning industry. However, despite the great amount of pride of what I “look like on paper”, it is simply one facet of myself, and I take an even greater pride in how I can interact with people on a one-to-one basis.

Contact me at ma [at] miguelaragoncillo.com for any inquiries, or visit my Coaching page if you are interested in online training!

Keep it funky.

MAsymbollogo

Miguel Aragoncillo